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Pacific Northwest College of Art
Center for Contemporary Art and Culture

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Luc Tuymans: Graphic Works - Kristalnacht to Technicolor

Mar 6, 2014 – Jun 13, 2014

THIS EVENT IS OVER

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Public Reception:
March 6, 2014 from 6-8 pm

Artist Lecture:
March 7th, 2014 at 6:30pm

The Philip Feldman Gallery + Project Space is pleased to present an exhibition of prints by the influential artist, Luc Tuymans. Luc Tuymans: Graphic Works - Kristalnacht to Technicolor opens with a public reception on March 6, 2014 from 6-8 pm and runs through June 13, 2014. The artist will present a lecture March 7th, 2014 at 6:30pm.

Though he is known primarily as a painter, Belgian artist Luc Tuymans (b. 1958) continues to produce extraordinary work in the discipline of printmaking. Graphic Works - Kristalnacht to Technicolor brings together an array of Tuymans’ printmaking works. The pieces were produced between 1992 and 2013 and range in technique from color photocopy of Kristalnacht, 1992 to the twelve stone color lithograph of Gene (Plant), 2004. The exhibition will also feature examples of Tuymans’ experiments in printing on non-traditional surfaces such as Transitions A-B-C-D, 2008, which was produced with multi-colored screenprints on PVC plastic.

Luc Tuymans: Graphic Works - Kristalnacht to Technicolor is curated by Feldman Gallery + Project Space Director, Mack McFarland and PNCA faculty member, Modou Dieng, in direct collaboration with the artist.

About Luc Tuymans

Belgian artist Luc Tuymans is widely credited with having contributed to the revival of painting in the 1990s. His sparsely colored, figurative works speak in a quiet, restrained, and at times unsettling voice, and are typically painted from pre-existing imagery which includes photographs and video stills. His canvases, in turn, become third-degree abstractions from reality and often appear slightly out-of-focus, as if covered by a thin veil or painted from a failing memory. There is almost always a darker undercurrent to what at first appear to be innocuous subjects:

Born in 1958 in Morstel, near Antwerp, Belgium, Tuymans was one of the first artists to be represented by David Zwirner. He joined the gallery in 1994 and had his first American solo exhibition that same year. In 2013, Luc Tuymans: The Summer is Over was on view in New York and marked his tenth solo show with the gallery.

In 2013, a solo presentation of the artist’s portraits, Nice. Luc Tuymans, was hosted by The Menil Collection in Houston, Texas. His work was recently the subject of a retrospective co-organized by the Wexner Center for the Arts, Columbus, Ohio, and the San Francisco Museum of Modern Art. It traveled from 2010 to 2011 to the Dallas Museum of Art; Museum of Contemporary Art Chicago; and the Palais des Beaux-Arts, Brussels. Previous major solo exhibitions include those organized by the Moderna Museet Malmö, Sweden in 2009 and Tate Modern, London in 2004. Other venues that have presented recent solo shows include the Centro de Arte Contemporáneo de Málaga, Spain (2011); Haus der Kunst, Munich; Zachęta National Gallery of Art, Warsaw (both 2008); Mucsarnok Kunsthalle, Budapest (2007); and the Museu Serralves, Porto, Portugal (2006).

A catalogue raisonné of the artist’s paintings is currently being prepared by David Zwirner in collaboration with Studio Luc Tuymans. Compiled and edited by art historian Eva Meyer-Hermann, the catalogue raisonné will illustrate and document approximately 500 paintings by the artist from 1975 to the present day.

In 2001, the artist represented Belgium at the 49th Venice Biennale. His works are featured in museum collections worldwide, including The Art Institute of Chicago; Centre Georges Pompidou, Paris; Los Angeles County Museum of Art; The Museum of Modern Art, New York; Pinakothek der Moderne, Munich; Solomon R. Guggenheim Museum, New York; and Tate Gallery, London. Tuymans recently donated his portrait of Her Majesty Queen Beatrix of The Netherlands to the Stedelijk Museum, Amsterdam. He lives and works in Antwerp.

Image: Luc Tuymans, The Valley, 2012; screenprint; 71 x 72,5 cm; Edition: 75; Courtesy of the artist.

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Free and open to the public.

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