Fred Moten is Professor in the Department of Performance Studies, Tisch School of the Arts. He holds an A.B. from Harvard and a Ph. D from the University of California, Berkeley. Moten teaches courses and conducts research in black studies, performance studies, poetics and critical theory. He is author of In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003); Hughson’s Tavern (Leon Works, 2009); B. Jenkins (Duke University Press, 2010); The Feel Trio (Letter Machine Editions, 2014), The Little Edges (Wesleyan University Press, 2015), The Service Porch (Letter Machine Editions, 2016) and a three-volume collection of essays whose general title is consent not to be a single being (Duke University Press, 2017, 2018). Moten is also co-author, with Stefano Harney, of The Undercommons: Fugitive Planning and Black Study (Minor Compositions/Autonomedia, 2013) and A Poetics of the Undercommons (Sputnik and Fizzle, 2016) and, with Wu Tsang, of Who touched me? (If I Can’t Dance, I Don’t Want to be Part of Your Revolution, 2016).
Samiya is an Assistant Professor of Creative Writing at Reed College. Bashir holds a BA from the University of California, Berkeley, where she served as Poet Laureate, and an MFA from the University of Michigan, where she received two Hopwood Poetry Awards. She is the recipient of numerous grants, fellowships, residencies, prizes, and is a founding organizer of Fire & Ink, an advocacy organization and writer’s festival for LGBT writers of African descent and a recipient of the 2011 Aquarius Press Legacy Award, given annually in recognition of women writers of color who actively provide creative opportunities for other writers. Bashir’s book of poetry, Field Theories (Nightboat Books, 2017) won a 2018 Oregon Book Award, and Gospel, and Where the Apple Falls, were both short-listed for the Lambda Literary Award. Her work has been widely published, performed, installed, printed, screened, and experienced.